Tadasei http://tadasei.com/ Mon, 11 Oct 2021 05:23:47 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://tadasei.com/wp-content/uploads/2021/04/tadasei-icon-150x150.png Tadasei http://tadasei.com/ 32 32 today in history | national news https://tadasei.com/today-in-history-national-news/ https://tadasei.com/today-in-history-national-news/#respond Mon, 11 Oct 2021 04:00:07 +0000 https://tadasei.com/today-in-history-national-news/

Today in history

Today is Monday, October 11, the 284th day of 2021. There are 81 days left in the year.

The highlight of today’s history:

On October 11, 1968, Apollo 7, the first manned Apollo mission, was launched with astronauts Wally Schirra (shih-RAH ‘), Donn Fulton Eisele and R. Walter Cunningham on board.

To this date :

In 1779, Polish nobleman Casimir Pulaski, fighting for American independence, died two days after being wounded in the War of Independence in Savannah, Georgia.

In 1884, American First Lady Eleanor Roosevelt was born in New York City.

In 1906, the San Francisco Board of Education ordered that Asian students in the city be separated into a purely “Eastern” school. (The order was later rescinded at the behest of President Theodore Roosevelt, who promised to curb future Japanese immigration to the United States.)

In 1968, the government of Panama was overthrown in a military coup.

In 1975, Bill Clinton and Hillary Diane Rodham married in Fayetteville, Arkansas. “NBC Saturday Night” (later “Saturday Night Live”) debuted with guest host George Carlin.

In 1986, President Ronald Reagan and Soviet leader Mikhail S. Gorbachev opened two days of talks in Reykjavik, Iceland, on arms control and human rights.

In 1991, testifying before the Senate Judiciary Committee, Anita Hill accused Supreme Court candidate Clarence Thomas of sexually harassing her; Thomas reappeared before the panel to denounce the procedure as a “high-tech lynching”.

In 2001, at his first prime-time press conference since taking office, President George W. Bush said “it may take a year or two” to track down Osama bin Laden and his network. terrorist in Afghanistan, but claimed that after five days of aerial bombardment, “we have them on the run.”

In 2002, former President Jimmy Carter was named the Nobel Peace Prize laureate.

In 2005, the US Army Corps of Engineers said it had finished pumping the New Orleans metropolitan area, which had been flooded by Hurricane Katrina six weeks earlier and then flooded again by Hurricane Rita.

In 2006, the charge of treason was first used in the US War on Terror, filed against Adam Yehiye Gadahn (ah-DAHM ‘YEH’-heh-yuh guh-DAHN’), also known as “Azzam the American,” who had appeared in al-Qaida propaganda videos. (Gadahn was killed by an American drone strike in Pakistan in January 2015.)

In 2014, customs and health officials began taking the temperature of passengers arriving at Kennedy International Airport in New York from three West African countries as part of an intensified screening effort to prevent the spread of the Ebola virus.

Ten years ago: Presidential challenger Mitt Romney accused President Barack Obama of not leading in a time of economic peril, but sounded less conservative than his Republican rivals in their debate in Hanover, New Hampshire, defending the bailout of Wall Street 2008-2009 and declaring that he could work with the “good” Democrats. The Americans won their third title at the world gymnastics championships held in Tokyo.

Five years ago: Samsung Electronics announced it was shutting down production of Galaxy Note 7 smartphones for good, a day after global sales of these ill-fated devices ceased amid reports that the batteries were on fire.

A year ago: President Donald Trump said he was healthy enough to resume the election campaign after treatment for the coronavirus. The Los Angeles Lakers beat the Miami Heat 106-93 to win the NBA Finals in six games; LeBron James scored 28 points as the NBA wrapped up a season that sent players into a “bubble” at Walt Disney World in Florida for three months due to the pandemic. Rafael Nadal beat Novak Djokovic 6-0, 6-2, 7-5 in the Roland Garros final to win his 20th Grand Slam title, tying Roger Federer’s record for most major tennis championships by one man. Joe Morgan, the Hall of Fame second baseman who was the spark plug for Cincinnati’s “Big Red Machine” teams in the 1970s, has died at the age of 77. The NFL has juggled its regular season schedule due to coronavirus outbreaks with the Tennessee Titans and New England Patriots; nine teams were affected.

Today’s Birthdays: Former US Secretary of Defense William Perry is 94 years old. Actor Amitabh Bachchan is 79 years old. Country singer Gene Watson is 78 years old. Singer Daryl Hall (Hall and Oates) is 75 years old. Senator Patty Murray, D-Wash., Is 71. R&B musician Andrew Woolfolk is 71 years old. Actor-director Catlin Adams is 71 years old. Country singer Paulette Carlson is 70 years old. Original MTV VJ Mark Goodman is 69 years old. Actor David Morse is 68 years old. Actor Stephen Spinella is 65 years old. Actor-writer-comedian Dawn French is 64 years old. Steve Young, a member of the Professional and College Football Hall of Fame, is 60 years old. Actor Joan Cusack is 59 years old. Rock musician Scott Johnson (Gin Blossoms) is 59. Comedy writer and television host Michael J. Nelson is 57 years old. Actor Sean Patrick Flanery is 56 years old. Lennie James is 56 years old. College Football Hall of Fame and former NFL player Chris Spielman are 56 years old. Country singer-songwriter Todd Snider is 55 years old. Actor-comedian Artie Lange is 54 years old. Actress Jane Krakowski is 53 years old. Actress Andrea Navedo is 52 years old. Actress Constance Zimmer is 51 years old. Rapper MC Lyte is 51 years old. Bluegrass musician Leigh Gibson (The Gibson Brothers) is 50 years old. Figure skater Kyoko Ina is 49 years old. Actor Darien Sills-Evans is 47 years old. Actor / writer Nat Faxon is 46 years old. Actor Emily Deschanel is 45 years old. Actor Matt Bomer is 44 years old. Actor Trevor Donovan is 43 years old. Actor Robert Christopher Riley is 41 years old. Actress Michelle Trachtenberg is 36 years old. Actress Lucy Griffiths is 35 years old. Golfer Michelle Wie is 32 years old. Rapper Cardi B is 29 years old.

Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

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Group ABC directors program to return to Ashland in 2022 – Medford News, Weather, Sports, Breaking News https://tadasei.com/group-abc-directors-program-to-return-to-ashland-in-2022-medford-news-weather-sports-breaking-news/ https://tadasei.com/group-abc-directors-program-to-return-to-ashland-in-2022-medford-news-weather-sports-breaking-news/#respond Sun, 10 Oct 2021 00:21:00 +0000 https://tadasei.com/group-abc-directors-program-to-return-to-ashland-in-2022-medford-news-weather-sports-breaking-news/

Clarinetist Julian Bliss will headlining when ABC Group performs next summer in Ashland, after a two-year pandemic detour. ABC photo

Irish fiddler and Riverdance star Haley Richardson will be a special guest artist in a return engagement with ABC in 2023. She was 13 when she first performed here in 2016. Courtesy photo

Jazz trombonist and former Dukes of Dixieland performer Harry Watters will be a guest artist at next summer’s ABC group concert. ABC Photo

American Band College will return to Ashland in 2022 for its annual 18-day summer clinic for group directors after a pandemic detour forced them online in 2020 and Puget Sound in 2021.

Summer clinics, each with two public concerts, are part of ABC’s master’s program.

Up to 200 people over the past few years, summer workshop attendees will perform at two venues in 2022 – a June 26 performance at the Craterian Theater and the traditional July 4 concert at Ashland High School Stadium with bonfires fireworks as a result. The group is also planning to participate in the July 4th Ashland Parade.

The program, founded by Max McKee of Ashland, recruits students from around the world for its three-year masters program. McKee is the executive director of the organization and his son Scott is the CEO.

Max McKee and his wife, Nell, recently returned from a five-week tour of Europe, including visits to Greece, London and Ireland.

During their stay in Greece, they registered with two ABC graduates (2003 and 2006) in Thessaloniki – Yiannis Kouokas and Nikos Chrysouhoou.

“They’re amazing,” McKee said. “Between them, they have more than 150 musicians in their two harmony orchestras. I have seen up close all the great things these two men have done for group music in Greece.

McKee said they are the go-to directors in Greece when it comes to group music and group festivals. They will be returning to Ashland next summer to conduct the July 4th concert.

The guest artists at the concert will be Julian Bliss on clarinet and Harry Watters on trombone. The two appeared with the ABC group during their Craterian concert in 2019.

Bliss, concert soloist and jazz artist, has recently performed with the Sao Paolo Symphony, the Royal Philharmonic Orchestra, the Paris Chamber Orchestra, the BBC Philharmonic Orchestra and the London Philharmonic. In 2012, he founded the Julian Bliss Septet, creating programs inspired by the great jazzman Benny Goodman.

Watters toured with the Dukes of Dixieland for four years and was in demand as a Bourbon Street musician during his graduate studies at the University of New Orleans, as a graduate assistant to Professor Ellis Marsalis. Today he performs internationally and has recorded a lot.

Guest composers will be Randall Standridge and Julie Giroux.

Standridge is a Marching Band Editor for Grand Mesa Music Publishers. He is sought after as a clinician, exercise designer and musical arranger. A resident of Jonesboro, Arkansas, he is also a freelance artist, photographer and writer.

Giroux, whose first published work for harmony orchestra was composed at the age of 13, now has over 100 credits for film, television and video games. She has collaborated with Martin Scorsese, Madonna, Celene Dion, Clint Eastwood, Michael Jackson, Harry Connick Jr. and many more. Nominated for Emmy Awards, Oscars and Golden Globes, she won three Emmy Awards.

On their recent trip to London, the McKees attended two performances of Riverdance celebrating 25 years. Riverdance fiddler Haley Richardson performed on an Irish-themed show with ABC in 2016 when she was 13.

“She’s one of the best fiddlers of all time,” McKee said. “Riverdance songwriter Bill Whelan created a five-minute segment in the production, featuring Haley solo on stage.”

The McKees took her out to dinner after one of the performances to finalize the details of her 2023 comeback appearance on ABC.

ABC recently completed the purchase of a building in Ashland at the corner of Siskiyou Boulevard and Liberty, originally the Hillside Church.

The 6,000-square-foot structure will be remodeled to create high-density storage space for ABC’s music collection (now housed at Lincoln School), as well as a study area, rehearsal space and location. for musical preparation. The lower floor will be used to store equipment.

“We had architectural designs created for a new building to be placed on the Ashland School District property,” McKee said. “But the price of $ 1.3 million has increased to $ 3.2 million.” Rather than jeopardizing ABC’s endowment, they shifted gears.

“There is a small house on the property that we are going to rent out to help pay the bills,” he said.

A second house, donated by patron and supporter Gladys Wright, will be sold by ABC, cutting the cost of acquiring the church in half.

“Gladys and her husband, Al, have been mainstays of group music for 80 years,” McKee said. Al Wright died last year at the age of 104 and Gladys Wright is 96.

ABC is making arrangements with the Ashland School District to use the high school facilities as a rehearsal space, as in previous years.

Enrollers in the program learn from some of the country’s top technicians and clinicians during the three summer programs. About half of the three-year diploma work is done at home, between summers.

Applicants must complete six projects, two each year. They include work based on a five-hour entrance exam, audio and video recordings, and an in-depth final project covering their 20 favorite clinic sessions (out of over 150) and 30 favorite group tracks (out of over 150). nearly 400).

A one-day final exam for third-year registrants on July 5 completes the program each summer. It’s complete, to say the least. It includes a written exam; give introductory lessons to the clarinet, horn and snare drum to students who have never played instruments; and a diagnostic rehearsal as a band performs what McKee calls the BooBoo Concert.

“Each candidate leads one of four groups of 35 musicians of non-graduate masters candidates who have 25 specific mistakes to make,” he said. “The candidate has 12 minutes to find as many of these errors as possible.”

McKee has been passionate about wind band music for decades. He was a group director at SOU before founding the ABC Masters program in 1989.

ABC was first affiliated with SOU, then Sam Houston State University, and now Central Washington University in Ellensburg.

“It’s amazing for me to see the continued interest from so many of our 1,200 graduates,” McKee said. “To this day, we are still in contact with all but 75 of the group of 1,200.”

Contact Ashland writer Jim Flint at jimflint.ashland@yahoo.com.

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Big pumpkins and cool books https://tadasei.com/big-pumpkins-and-cool-books/ https://tadasei.com/big-pumpkins-and-cool-books/#respond Sat, 09 Oct 2021 14:02:47 +0000 https://tadasei.com/big-pumpkins-and-cool-books/

Tim Van Schmidt

It was a perfect evening at Gardens on Spring Creek. At least perfect for a music fan. The event was a rare appearance in the region of legendary jazzman Herbie Hancock, closing the 2021 live music season at The Gardens in style.

Hancock has shown great creative strength on the piano and a willingness to push things to the limit with his electronics. His four-piece group followed suit, mixing otherworldly flute and guitar work for music that was both soothing and stimulating to the ear.

I’ll admit it. It was my first time hearing live music at The Gardens and I was impressed.

It was a full capacity event – presented in partnership with Lincoln Center – and there seemed to be room for everyone. The line was long for a drink, but I had an interesting conversation along the way. The sound was very good and that’s important when you listen to someone with the musical panache of Hancock.

The weather also cooperated on what was, in general, an evening of high end live music. I will be watching the music program for next year closely.

Live outdoor music can be played year round, but other events continue at The Gardens on Spring Creek. The big upcoming event is Pumpkins on Parade, scheduled for the evenings of October 21-24.

Autumn Lights (Photo by Tim Van Schmidt)
Pumpkins on parade in Spring Creek Gardens (Photo by Tim Van Schmidt)

It’s a family-friendly event featuring a community carved pumpkin contest, colorful displays of lights, pumpkins and squash, pumpkin bowling, and entertainment by the Reading Retrievers, CSU Bug Zoo and TimFoolery the Magician. Food trucks and a full bar will also be available.

Pumpkin carving (Photo by Tim Van Schmidt)

If you’re a pumpkin grower and want to add to the festivities, The Gardens wants to hear from you.

Pumpkins on Parade runs from Thursday, October 21 to Sunday, October 24, from 6 p.m. to 9 p.m. each evening. Advanced tickets are recommended. See their site at fcgov.com/gardens for more details.

Fort Collins Book Festival 2021: Spend time with a diverse roster of authors, participate in workshops, and celebrate an unofficial “Local Literature Month” throughout October with the annual Fort Collins Book Festival.

The Fort Collins Book Fest itself kicks off on October 20 with workshops including “Writing Historical Fiction”, a “Book Club for Mortals” and “Birds and Other Beings: How Poetry Takes Flight” with Loveland poet Veronica Patterson.

October 21 offers a scriptwriting workshop aimed at “getting you started on your scriptwriting journey”. Kathleen Sonnely is leading a workshop on October 22 titled “Alibis and Twists: Unlock the Secrets of Mystery Writing”.

The Saturday October 23 program is very busy with presentations, a concert and a look at horror fiction with Stephen Graham titled “My Heart is a Chainsaw: A Love Letter to Slasher Films”, all at Lincoln Center.

The main event will take place in the afternoon at 2 p.m. on October 23 when author Kali Fajardo-Anstine speaks at Lincoln Center. Her book is “Sabrina & Corina” and her appearance is in partnership with Fort Collins Reads, Poudre River Public Library and Connect to Curiosity.

The Book Fest ends with workshops on October 24.

Part of the effort here is also to spotlight other book-related events that take place throughout October as part of a self-proclaimed “Local Literary Arts Month”. Check out the Fort Collins Book Fest site at focobookfest.org for more details – apparently there’s a lot more to come.

Correction of MoA: While reviewing a recent article, I found out that I was calling the Museum of Art Fort Collins by the wrong name. I called it the “Fort Collins Art Museum” and that is just not accurate. My fault.

There is still some time to see the excellent exhibition “Beauty and the Beast” at the Museum of Art Fort Collins, showcasing individual works and collaborations by creative artists Lorri Acott and Adam Schultz. This closes on October 17th.

Next up at MoA is “Blow Up II: Inflatable Contemporary Art”, which will run from October 29 to January 9, 2022. The exhibition “explores the imaginative ways in which artists use air as a tool to create large-scale sculptures. scale and includes images it’s figurative and abstract. ”See the museum’s website at moafc.org for more information.

NOCO Live Music: In Poudre Canyon, Mishawaka celebrates its 20th anniversary with The Disco Biscuits, October 15-17.

Shlump is in downtown Fort Collins at the Aggie Theater on October 16, along with Onhell and Enenra. Also coming to Aggie: Aqueous on October 22, Del McCoury Band on October 27 and The Great Salmon Famine Halloween Party, with Shtonk Brass Band on October 30.

On the Avogadro’s Number program: Just Jazz Quintet on October 15, Mad Dog Blues on October 22 and Cowboys Dead on October 23.

Toby Keith is in Loveland at the Events Center at The Ranch on October 16. Glove Trucker is at Swing Station in Laporte on October 17th. The Matt Skinner Band plays Swing Station on October 29 and Guerilla Fanfare plays the Magic Rat on October 30.

At Washington: Delta Rae on October 15, Todd Snider on October 27, The Motet on October 29, and Lotus on October 30. Dar Williams is at The Armory on October 23.

Tim Van Schmidt is a Fort Collins-based writer and photographer. Explore his YouTube channel on “Time Capsules by Tim Van Schmidt”.

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Northern Colorado Live Market

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NOTE: SLEEP WITH AN OPEN IT! IT’S HORROR IN LITERATURE! + New music for the week of October 7, 2021 https://tadasei.com/note-sleep-with-an-open-it-its-horror-in-literature-new-music-for-the-week-of-october-7-2021/ https://tadasei.com/note-sleep-with-an-open-it-its-horror-in-literature-new-music-for-the-week-of-october-7-2021/#respond Fri, 08 Oct 2021 18:41:51 +0000 https://tadasei.com/note-sleep-with-an-open-it-its-horror-in-literature-new-music-for-the-week-of-october-7-2021/

Horror needs two things to survive. Believe it or not, you are not a monster, demon, or malicious individual. (But it helps).

We have all seen it. The opening of the film. Narration. The opening sequence. And then, embossed on the screen as a stamp of authenticity: Based on a true story. Now the chills are detected and ready, the nervousness begins to develop slowly and overwhelmingly, and your attention is glued to every detail.

Vampires officially begin in our study of literature in 1897 with Bram Stoker’s Dracula (it should also be noted that the work is written as diary entries) and on film with FW Murnau’s chilling Nosferatu in 1922. However, their existence dates back thousands of years. In 4000 BC, the ancient Sumerian civilization located in Mesopotamia (now southern Iraq, corresponding to the opening sequence of The Exorcist of 1973) lived in fear of the Ekimmu. Like Greek or Roman cultures, this fear could have been used as a means of control or an urban legend. Bodies that were not properly buried or those that died a violent death would have fallen prey to these blood-sucking demonic ghosts. In the cuneiform texts discovered and translated by R. Campbell Thompson, 50 text plates containing incantations have been found to eliminate “fever-sickness” and more symptoms.

As the vampire myth spreads throughout Europe, cultures from Eastern Europe (as you would expect) to Scotland have reports of these wandering spirits wreaking havoc in the villages where they once lived. So, the first initial fear was a horrible spirit that could possess you and lead to a life of damnation. Over thousands of years this has been amplified to include the fact that they somehow walk among us.

This leads to the second necessary detail of horror: those who believe and those who disbelieve. To put it simply, if an entire village in the Balkans believed in vampires and they just didn’t go out at night, vampires would likely be in danger of extinction without any casualties. However, with belief groups versus disbelief, there is more than the nature of the conflict. There is mistrust and disbelief in everyone around you.

It is fitting that the Enlightenment led us to the grandeur and imagination of romantic literature around 1798. However, it is also fitting that these flights of fantasy could take another darker direction and give birth to the Gothic novel. Horror first hit the shores of England with Matthew Lewis’ The Monk in 1796. The monk Ambrosio is tempted by a couple of women, the virtuous Antonia, daughter of an illicit union and already widowed, and Mathilde, who joins the monastery disguised as a boy and appears in a painting in Ambrosio’s room as the Madonna. Beyond its natural romanticism, the more sinister characters are more memorable. Samuel Taylor Coleridge (whose poem Cristabel will also be listed as an inspiration for this branch of literature) would praise Lewis’ portrayal of Mathilde, while her struggle with the earthly and the supernatural would lead to over novels in its controversial wake.

And that’s how the Gothic novel began to take shape. Dark, gloomy and atmospheric works with conflicts and power issues over nature would attract a new readership: women. Romantic (and rival) writers John William Polidori, Percy Bysshe Shelley, his wife Mary Shelley and Lord Byron would challenge themselves to write the best Gothic novel on Lake Geneva during the rainy summer of 1816. Mary Shelley wins the competition with the classic 1818 novel Frankenstein; or, The Modern Prometheus, but Polidori’s 1819 novel The Vampyr will actually create more Gothic works and provide the model for the vampire novel. From a fragment of a story Lord Byron may have told, Polidori woven fact and fiction into a story so believable it would later be cited in the history of vampires.

However, again, there are those who believe and do not believe. The French author and librarian Charles Nodier adapted Polidori into a play in 1820 (Le Vampire) and then in 1826 followed in the footsteps of Shelley’s tale (Le Monstre et le Magicien). Alexandre Dumas will write several bestsellers following the escapades of his vampire Lord Ruthven (soon the archetype of a certain Count), and Leo Tolstoy will create a village besieged by vampires who then turn against each other in The Family of Vourdalak (later part of Mario Bava’s 1963 horror trilogy, Black Sabbath). Oddly enough, when Dumas’ play returned to England as The Vampire in 1852, none other than Queen Victoria wrote that it was “very trashy”.

With reality now officially questioned, the vampire romance is unfolding in a variety of directions. Carmilla by Sheridan Le Fanu presents a female vampire in 1872. The 1879 Captain Vampire written by Marie Lizet places a vampire in the midst of the horrors of war. And in the United States, Uriah D’Arcy creates The Black Vampire. However, the so-called “vampire craze” peaked when Stoker released Dracula in 1897. Excluding all of the camp and the different circumstances and existences of the famous bloodsucker, Dracula made it simple, mysterious, and always disturbing. Written in the midst of an epidemic of syphilis and tuberculosis in England, Dracula has brought the vampires back to their hometown of Eastern Europe and all of those societal changes to subtext. Not only does Stoker make it intensely real, but he also sees it as a disease. His notes detail the myth and folklore of Transylvania, and he creates Abraham Von Helsing, the archenemy who perhaps believes to the point of madness.

With such a straight-line narrative, Dracula opened up a myriad of possibilities as both a transitory and a seminal work in literature. Those who read it were free to interpret the characters as they saw fit. For example, Lucy Westenra was a victim turned vampire. This transformation created a realm of possibility dating back to The Monk where she (or any character for that matter) was a kidnapper, intruder, traitor, or could just fall back on themselves as if under a spell. With this set of endless possibilities and the archetypes firmly in place, it’s no wonder Dracula defines vampires to this day.

Whether you believe it as a reader or spectator, the myth extends even further into small American towns (Stephen King’s Salem’s Lot), contemporary communities where they live almost sympathetic lives (Anne Rice’s Interview With a Vampire) or a post-nuclear world (Vampire Hunter D). And to think of it, it’s all based on a true story.

Mik Davis is the record store manager at T-Bones Records & Cafe in Hattiesburg.


NEW THIS WEEK

BAD BAD NOT GOOD – Talk Memory

[LP/CD](Innovative Leisure / XL)

For ten years, this Canadian instrumental group has sown this fertile ground between Funk and Jazz. Never too much one or the other, they managed to weave beautiful collaborations with Tyler The Creator and Kendrick Lamar, while finding their own voice with other guest singers (Samuel T. Herring of Future Islands, notably and effectively ) and themselves. For “Talk Memory,” they bring in a host of up-and-coming musicians, including Brandee Younger and Karriem Riggins, and longtime cult favorites Arthur Verocai and Laraaji. What once looked like jazz now sounds very laconic and futuristic.

SLOW DOWN, MOLASSES – Minor deaths

[LP](No CAN)

With so much “indie rock” suddenly becoming so flabby and resembling each other, this Saskatoon quartet blows through the doors with a white-hot Sonic Youth-ish burner. Slow Down, Molasses is quick to add a slow-burning instrumental streak to their songs (“I Need The Darkness”), but it only improved the atonal harmony when they make their grand and glorious comeback. . “Son of Titanic” is a catchy And You Will Know Us By The Trail Of Dead style guitar flurry that only needs a minute to build up the rousing burst of Yo La-style “Some Fine Action” Tengo. While it sounds like weird bedfellows on paper, it’s the magic of Slow Down, Molasses – whether in their carefully orchestrated compositions or between them, the emotional push is never lost. An exceptional start.

ALIEN WEAPONS – Tangaroa

[LP/CD](Napalm)

In metal, there is a growing tendency for bands to use instruments and song ideas from their cultures within the confines of a guitar-based explosion (usually). Like the Mongolian / Tuvan rock of The Hu (“Wolf Totem”), Maori band Alien Weaponry is about to write their songs in their native language. What’s fascinating is how much this trio borrows from the almost mechanical streaky sound of modern Alt. Metal to tell these organic stories. Like Gojira’s “Fortitude”, their best tracks are drum-filled, rough and harmonic rams (“Hatupatu” who, chased by a witch, screams loud enough to open a mountain) or an out of tune Nu Metal that is indigenous to their people. . (“Buried Underground.”) At only 18 years old, Alien Weaponry has a lot more myths to share and metallic grooves to wield.

JEAN COLTRANE – Supreme Love: Living in Seattle

[LP/CD](Impulse)

Wizard John Coltrane probably reached his true peak on the landmark 1964 recording of “A Love Supreme” – an album that still deserves careful study and feels ahead of its time. The problem with this historic streak is that Coltrane rarely performed the entire work live after its release. Until a few years ago, the only performance recorded live was at a French festival in July 1965. Later that year, on September 30, Coltrane and his band performed at the Penthouse in Seattle, WA. . Saxophonist Joe Brazil was not only on hand to perform with the band on “Afro-Blue” (captured on the 1971 album “Live In Seattle”), but he also recorded the entire show. Despite 3.5 hours of music recorded for the original album, and a few other songs that reappeared on various reissues over the years, the Brazil tape remained in his private collection until his passing in 2008. Now, for the first time. never can you hear the entirety of “A Love Supreme” from that 1965 night.

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A stalker broke into Willow Smith’s house https://tadasei.com/a-stalker-broke-into-willow-smiths-house/ https://tadasei.com/a-stalker-broke-into-willow-smiths-house/#respond Fri, 08 Oct 2021 16:31:33 +0000 https://tadasei.com/a-stalker-broke-into-willow-smiths-house/

Willow Smith recently opened up about her stalker and the incident that first made her fear for her safety.

Through PAPER magazine, in the Wednesday October 6 episode of Red table talk, Willow spoke about the terrifying crime to her mother, Jada Pinkett-Smith, and her grandmother, Adrienne Banfield-Norris.

“In December, when we went on a family vacation, [the stalker] actually came to my house and broke in while we were away, “the singer revealed.” Crazy, crazy times. Thank goodness I wasn’t there. “

Essentially, the man found out about Willow’s daily habits and ended up setting up a camp outside his house where he planned to wait for her return.

Jada explained what happened after finding out about her camp. “Once [the police] got all the evidence they needed from inside, we had to take all the stuff out of the fridge because we were afraid he might put something in the drinks or his food to knock him out. We had to go through everything. Toothpaste, everything. Everything in the house had to go, ”she shared.

The man started stalking Willow online after trying to connect with her on social media. When it didn’t work out as he expected, he resorted to in-person harassment.

“They’re monitoring all of your social media accounts to see what your moves are and this guy was doing that to me … for a few years, actually,” Willow added.

The crime ultimately forced Willow to go to court and testify against the man she described as a “pedophile.”

20 celebrities with horrific stalker stories

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Luther College Announces Recipients of Annual Homecoming Music Awards | Securities https://tadasei.com/luther-college-announces-recipients-of-annual-homecoming-music-awards-securities/ https://tadasei.com/luther-college-announces-recipients-of-annual-homecoming-music-awards-securities/#respond Fri, 08 Oct 2021 14:59:20 +0000 https://tadasei.com/luther-college-announces-recipients-of-annual-homecoming-music-awards-securities/

This reunion season 2021, Luther College continues the tradition of presenting the Weston Noble, Dr. Carlo A. Sperati, Presser Scholar and Hemp Prize. The winners of the student and alumni awards are recognized each year during the annual Retrouvailles concert.

Weston Noble Award 2021

Timothy Peter ’86 is the recipient of the 2021 Weston Noble Award. Weston Noble was on the music faculty at Luther College from 1948 to 2005. During this time, the college grew in number, in national reputation, and Noble became a leader in the formation of pioneers in the field of music education. Established in 2004, the Weston Noble Award recognizes music teachers who honor and carry on Noble’s legacy.

At the reunion concert at Luther College on October 1, Brad and Beth Holmes, who are part of Millikin University’s choral faculty and who are former choral teachers at Luther, addressed Peter and stated that “a lot of what Weston stood for is embodied in your work; the coming together of all kinds of people, the belief that wholeness can be found in a well-tuned chord and the understanding that singing is a gateway to the invisible, the transcendent … You are not a Weston clone but you are certainly the offspring of the one who gave so much to all of us who believe in the power to sing together in harmony. “

Peter is now professor of music and director of choral activities at Stetson University. A native of Minnesota, he received his BA from Luther College and received his MA and PhD in Musical Arts from the University of Arizona. Prior to teaching at Stetson University, he was professor of music at Luther College, member of the choral faculty and head of the music department.

Peter is involved with the American Choral Directors Association, having held positions such as the Division Chair for Repertoire and Standards for Colleges and Universities, and the State and Division Chair for Tenor / Bass Choirs. . Her choirs have been selected to perform at the 2017 ACDA National Conference in Minneapolis, the 2011 ACDA National Conference in Chicago, and four NC-ACDA divisional conventions. He was a speaker at the 2015 ACDA National Conference in Salt Lake City, Utah. His off-campus teaching, judgment, and direction include dozens of appearances as a conductor and festival clinician in more than 20 states.

Peter has prepared choirs and orchestras for performances at Carnegie Hall in Manhattan, Singapore SAS Concert Hall, Orchestra Hall in Minneapolis, Orchestra Hall and Rockefeller Chapel in Chicago, Georgia Dome in Atlanta, at the Holland Center in Omaha, the TWA Center in St. Louis, the Overture Center in Madison, the Alamo-Dome in San Antonio and the Seoul Foreign School Center for the Performing Arts. He has also led in Singapore, Germany, England, Namibia, Oman, South Africa and South Korea.

Dr Carlo A. Sperati Prize 2021

Mollie Busta Lange ’01 is the 2021 recipient of the Dr. Carlo A. Sperati Award. Dr Carlo A. Sperati, a pillar of Luther College and the Lutheran musical tradition, led the Luther College Concert Band for 38 years until his retirement in 1943. His work ethic, his demand for perfection and his patience when it comes to he works with music students are part of the identity of the Luther College Music Department to this day. This award recognizes these traits in music teachers who follow in Sperati’s footsteps.

“I am truly honored by this recognition. The pursuit of excellence is a trait that was enhanced during my time with Luther and that continued in everything I did – from the classroom to the stage. , on TV and a Warner Brothers movie, ”says Busta Lange. “During my childhood years, my university experience and my professional career, patience and a good work ethic were instilled in me. I am always grateful for the lessons I learned, which in return gave me many opportunities to share the gift of music. “

Busta received her Bachelor of Arts in Music from Luther College and her Masters of Education from St. Mary’s University in Minnesota. Busta shared her love of music teaching children of all ages and was an adjunct faculty member at St. Mary’s University, leading college-aged singing students throughout their studies.

Although Busta continues to teach privately and conduct music workshops in schools, her main focus has been on performance. This led to a national television show, “Mollie B Polka Party,” which aired for over ten years; a role and musical composition in Clint Eastwood’s film, “The Mule”; numerous awards and inductions in several halls of fame; “Mollie B Christmas Shows” in Branson, Missouri and Reedsburg, Wisconsin; hosting of Wisconsin Public Television’s documentary “Polka”; performing in over 30 states and eleven countries for numerous sold-out performances; annual appearances on cruises and tours; play and produce the “Mollie B Variety Show” on YouTube which reached five million views in 16 months; produce and perform on 28 recordings; and performing on 14 additional recordings as a guest artist.

Press researcher award 2021

Kaleb Krzyszton ’21 is the 2021 Presser Scholar Award recipient. The Presser Scholar Award was established in 1939 by the Presser Foundation in honor of Theodore Presser, publisher of The Etude, a magazine dedicated to music, and founder of the music publishing house that bears his name. The award, funded by a monetary donation from the Presser Foundation of Haverford, Pa., Is presented annually to a current major in Luther’s music chosen by a vote of the music faculty on the basis of excellence and merit .

“Kaleb is the best example of who we are at Luther College – excellence and a passion to serve others. He is an exceptional leader and an exceptional person,” said Michael Smith, associate professor of music and brass down at Luther College.

Krzyszton, a senior from Waumandee, Wisconsin, will graduate from Luther in 2021 with a Bachelor of Arts in Music Education. After completing his studies in December, he will continue to prepare for a career as a harmony orchestra teacher with a semester of teaching students. Its main instrument is the euphonium.

Krzyszton’s time at Luther was shaped by a strong involvement in musical ensembles and organizations and a desire to acquire the skills, knowledge and experience necessary to better serve his future students. He is currently in his fourth year in the Luther College Concert Band (his third as principal euphonium), his third year in the Nordic Choir and his second year as a second trombone in the Jazz Orchestra. He is Principal of the Luther College Gospel Choir, a member of the Pep Band Leadership Team, and President of the Iowa Bandmasters Association of the Luther College Future Music Educators Association.

His early love for music was nurtured by his family and his childhood piano teacher. This early love of music grew into a long-standing passion with encouragement from her music teachers and other high school teachers. He especially thanks Luther’s music faculty. From applied course instructors to ensemble directors and class teachers, their tremendous support for Krzyszton throughout his academic career propelled him to become the musician, scholar and l educator he is today.

Hemp Prize 2021

Gibson (Gibby) Swalley ’21 is the 2021 Hemp Award recipient. The Richard C. and Joann M. Hemp Family Prize for Orchestra Performance is awarded annually to a senior member of the Luther College Symphony Orchestra. The $ 7,500 scholarship is funded by an endowment established by Richard ’64 and Joann (Harr) Hemp ’65. Richard Hemp is a Regent Emeritus, Past Chairman of the Luther College Board of Regents and Past Acting Chairman of Luther College. The auditioned award recognizes students of exceptional performance, talent, musicality and leadership.

“In his own way, Gibby has been a leader of the symphony orchestra since joining college in 2018. He is a fabulous musician and a person of great kindness, character and integrity,” said Daniel Baldwin, director of the Luther. . College Music Department.

Swalley began playing the violin in fourth grade. At Roseville Area High School, he was an active member of his school’s orchestra and received the Music Educators Scholarship Award in 2018. Swalley studied at the Artaria Chamber Music School in 2017-2018. Recently, Swalley appeared on Classical MPR’s “Friday Favorites” with Steve Staruch. Swalley now has his own radio show on Luther’s station, KWLC.

His time with the Luther Symphony Orchestra taught him that music is an art of hard work, attention to detail and, above all, teamwork. After graduation, he plans to pursue a master’s degree in violin performance.

About Luther College Music

Luther is home to one of the largest undergraduate music programs in the country, with five choirs, three orchestras, two bands, and two jazz groups. One-third of all Luther students participate in music, including large ensembles, teacher-driven chamber groups, private lessons, and master classes. Nearly 175 music majors study music theory, hearing training, history, education, composition, jazz, church music, and performance. Learn more at luther.edu/music.

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Canal Convergence offers dozens of workshops, performances and more https://tadasei.com/canal-convergence-offers-dozens-of-workshops-performances-and-more/ https://tadasei.com/canal-convergence-offers-dozens-of-workshops-performances-and-more/#respond Fri, 08 Oct 2021 09:29:31 +0000 https://tadasei.com/canal-convergence-offers-dozens-of-workshops-performances-and-more/

Light-based works of art are still a major draw for Canal Convergence | Water + Art + Light, but the annual 10-day event also includes a wide variety of creative workshops, thrilling performances, introspective artist talks, captivating augmented reality experiences, educational tours, and food and drink. tasty.

“I can’t wait to experience Canal Convergence at the Scottsdale Waterfront with all the lineup and performances returning,” said Kim Boganey, director of Scottsdale Public Art, which produces the event. “We look forward to seeing you safely at the water’s edge, with a drink in hand and enjoying excellent music, dancing and educational programming!”

This year’s Canal Convergence, November 5-14, 2021, marks the return of in-person programming after the 2020 event, which saw workshops, performances and other aspects of the event move to a virtual format. . However, the 2020 pivot has also sparked new ideas, including the use of augmented reality (AR).

There will be five unique AR experiences this year. Event attendees can take a virtual tour of the history and engineering of the Arizona Canal with the Salt River Project, meet the artists behind the works at this year’s event, explore the stories behind the permanent collection of Scottsdale Public Art and delve into two AR works of art. All AR experiences are accessible on the Hoverlay app, via the + ScottsdalePublicArt channel. Participants must download the free app before visiting Canal Convergence.

“The most exciting for me personally is“ Treasure Hunt: The Missing Artwork Case, ”where you’ll search for AR clues along the waterfront near sculptures designed by robotics students and in Visual Arts from Saguaro High School, ”said Natalie Marsh. , director of Scottsdale Arts Learning & Innovation, which oversees much of Canal Convergence’s programming each year. “Designing this unique experience required a team of artists, students, teachers and software developers, and we hope it’s a fun way to experience the channel ecosystem. “

While technology has long been an important aspect of channel convergence, it is highlighted by this year’s theme “Art and Technology” in collaboration with CODAsummit, which will be hosted by Scottsdale Arts during the second week of Convergence Channel. Marsh said innovation is at the heart of technology and human progress, which is why the organizers of Canal Convergence are thrilled to have the Nationwide Innovation Zone at this year’s event, with over 30 workshops. different for kids, teens and adults.

The Canal Convergence Workshops are facilitated by an incredibly diverse group of local, national and international artists who explore the overlap of art and technology. Visitors will be able to build art-making robots and LED lanterns, contribute to groundbreaking research on drone design, explore various art-making software, and combine science, technology and art using watercolors. . Workshop presenters include several faculty members and researchers from Arizona State University.

Many of the artists behind Canal Convergence’s large-scale installations will also be offering artist talks during the event, though most of these limited engagements are already full. Participants can still hear the artists by accessing behind-the-scenes AR features associated with their work.

Artistic tours of the event are another option to learn more about Canal Convergence’s 12 large-scale works of art this year, five of which are from overseas countries. For more information on the works, visit the event website.

When not discovering the works of art or creating with technology in a workshop, visitors to Canal Convergence can enjoy a little nightlife in the beer and wine garden of Soleri Plaza, which will also offer food trucks on weekends and evening shows.

“As in previous years, our goal has been to invite an eclectic lineup of local musicians and artists to Canal Convergence,” said Abbey Messmer, director of programming at the Scottsdale Center for the Performing Arts, who booked the artists. of this year. “You’ll hear everything from jazz, R&B and country to J-pop, mariachi and folk music. Storytellers are also featured in the lineup, as well as sets by young rockers from the Solid Rock Teen Center. by Alice Cooper. This live music will be the perfect soundtrack to enjoy the beautiful weather and the amazing art. “

In addition to the nightly entertainment on the Soleri Stage, there will be two special dance performances on November 6 and 13 by NicoleOlson | Chaos Movement. Olson’s dances are a living tradition at Canal Convergence, and this year the company will be offering “Aura”, a 20-minute dance piece inspired and performed in the illumaphonium installation “illumaphonium: Halo”.

A few special events at the VIP Lounge offer a different way to enjoy Canal Convergence. On Tuesday, November 9, Scottsdale Arts Young Professionals, Scottsdale Rising Young Professionals and Scottsdale Leadership will converge for an unforgettable evening of art, vibe and networking by the water. Then, on Saturday, November 13, attendees can join Scottsdale Arts ONE members while sipping, savoring and supporting the arts at Canal Convergence’s closing night. Both exclusive events are chargeable.

The full program of events is available online at CanalConvergence.com/event. Artist lectures, tours, and workshops all require registration, and most workshops have a fee to cover material costs. Many opportunities fill up quickly.

Canal Convergence is made possible, in part, by the sponsorship of the City of Scottsdale, Billie Jo + Judd Herberger, SRP, Nationwide, Clearwing Productions, Epson America, Canopy by Hilton Old Town Scottsdale, Christine and Richard Kovach, Magnum Companies and Total Shadow. For a full list of sponsors and other event details, visit CanalConvergence.com. For more information on CODAsummit, visit CODAworx.com/codasummit-2021/.

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New children’s book, “Qui est Florence Price?” By students of the Kaufman Music Center Special Music School, to be published by Schirmer Books https://tadasei.com/new-childrens-book-qui-est-florence-price-by-students-of-the-kaufman-music-center-special-music-school-to-be-published-by-schirmer-books/ https://tadasei.com/new-childrens-book-qui-est-florence-price-by-students-of-the-kaufman-music-center-special-music-school-to-be-published-by-schirmer-books/#respond Fri, 08 Oct 2021 00:47:20 +0000 https://tadasei.com/new-childrens-book-qui-est-florence-price-by-students-of-the-kaufman-music-center-special-music-school-to-be-published-by-schirmer-books/

Kaufman Music Center announced the release of Who is Florence Award?, a children’s book written and illustrated by students at KMC’s Special Music School, the only K-12 public school in New York City that teaches music as a major subject. It will be published by Schirmer Books.

Who is Florence Award? is the only biography for undergraduate readers devoted to Price, who in 1933 became the first black female composer to be performed by a full orchestra.

The new children’s book Who is Florence Award? tells the story of a brilliant musician who overcame racial and gender prejudices to become the first black woman to be recognized as a symphonic composer and performed by a major American orchestra in 1933. The book was written and illustrated by 45 middle school students of Kaufman Music Center Special School of Music, the only K-12 public school in New York City that teaches music as a major subject.

The project began when English teacher Shannon Potts realized that there was no material on Price’s life at the lower school reading level. Students studied Price’s biography and traced his life story on a wall, discussing the elements most important to the narrative for their target audience at around the third grade level. After co-authoring and reviewing the text, the students created the illustrations, starting with cut-out paper backgrounds. The book was originally self-published as a class project shortly before the pandemic shut down NYC in the spring of 2020 and has been revised for the 2021 release.

Kaufman Music Center Executive Director Kate Sheeran said: “We are very proud of our students at the Special School of Music for taking the initiative to create this book, which is a fine example of what can happen when we remove barriers to music education. Music complements education from the early years opens doors and helps children make connections between disciplines. “

“Who is Florence Award? is a very special project for Wise Music Group ”, states Robert thompson, president of their Schirmer Books division. “It celebrates the power of storytelling and the benefits of ancient music education, while championing the life of a pioneering composer. We are especially proud of this release, as all proceeds from the book will be donated to the Special Music School. , to support its important music program. “

Who is Florence Award? includes a foreword by renowned composer, violinist and educator Jessie Montgomery, award recipient Leonard Bernstein ASCAP Foundation and Sphinx Medal of Excellence Award, and Mead Composer-in-Residence of the Chicago Symphony Orchestra, a three-year term that ends at the end of the 2023-2024 season.

Jessie Montgomery says, “This book represents a snapshot of the beauty of children’s minds when given the opportunity to fully study their history and interests. Perhaps the most inspiring aspect is how the writers were able to recognize the complex social context of Price’s life. , delving into the main issues of racial and gender discrimination she has faced while pursuing her passion for music. “

Caden Castro-Kudler, 14, percussionist and co-author of Who Is Florence Award?, says: “The book clearly shows our passion for music and our passion for academics, and merges all of these things into this wonderful finished product. It’s an amazing feeling to see all the work we’ve put into it as a tangible end product. and that we are all really proud of and love. “

“In classical music, there isn’t a lot of diversity, and being a woman of color myself, it’s inspiring to see someone who has come out of it,” said the violinist and co- 14-year-old author Rebecca Beato. “I think it’s important to learn Florence Awardmusic and share it with the world. And it is especially important to share the message with the younger generations. “

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Madeleine Peyroux and Paula Cole to fill the Green Music Center with songs https://tadasei.com/madeleine-peyroux-and-paula-cole-to-fill-the-green-music-center-with-songs/ https://tadasei.com/madeleine-peyroux-and-paula-cole-to-fill-the-green-music-center-with-songs/#respond Thu, 07 Oct 2021 13:41:35 +0000 https://tadasei.com/madeleine-peyroux-and-paula-cole-to-fill-the-green-music-center-with-songs/

Seeing great talent is fun, but meeting two great talent in the same show is even better.

Two powerful singer-songwriters, Madeleine Peyroux and Paula Cole, took to the stage on Thursday, October 14 at the Green Music Center, performing some of their most beloved songs.

The duo toured together, each with equal billing. But so far, they haven’t shared the stage at the same time.

“We each have our own set to sing along to, but I’d love to break that wall and do a song with her,” Cole said in a recent phone interview.

Later that same day, in a separate interview, Peyroux supported the idea.

“It’s the nicest thing Paula could have said,” Peyroux said.

So who knows? By the time they reach Rohnert Park, they can have an elaborate duo.

The two singers met through mutual friends in the music business.

“We have a similar circle of musician friends,” Peyroux said. “Currently, we have the same manager. We work more and more with the same people.

If their approaches to music are quite different, they both admit an affinity for jazz. Peyroux and Cole also feel a kinship and the duty to defend women.

“When I listen to Paula talk about what interests her, I feel the same,” Peyroux said. “Musically, she is very different from me, much more technically advanced as a singer, much more studied as a musician. I think I could have a better understanding of the blues, because I spent more time on early blues, urban blues, and modern blues.

During this tour, Peyroux celebrates a special reissue of his 2004 album, “Careless Love”, including his rendition of “Dance Me to the End of Love” by Leonard Cohen. When the album was initially released, it drew comparisons with Billie Holiday, Ella Fitzgerald, and Edith Piaf.

Originally from Athens, Georgia, Peyroux grew up in New York and California. When she was 13, Peyroux’s parents divorced and she moved with her mother to Paris. Two years later, she began to sing with street musicians in the Latin Quarter.

She joined a vintage jazz group called the Riverboat Shufflers, then The Lost Wandering Blues and Jazz Band, with whom she toured in Europe. She sang vintage jazz and blues songs before achieving mainstream success with “Careless Love”.

Peyroux said she felt a special affinity for early 20th century singers, from Bing Crosby to Frank Sinatra to Billie Holiday.

“I like to sing simple things and use my phrasing,” she said. “I think I should only write a song if I can’t find a classic song that says what I’m talking about. “

For his part, Cole performed his 1996 album “This Fire”, including the hits “Where Have All the Cowboys Gone?” and “I Don’t Want to Wait”, which was the theme song for the hit television series “Dawson’s Creek”.

“Where have all the cowboys gone?” With its slightly sardonic lyrics – “I’m going to wash the dishes / While you’re going to have a beer” – has been hailed as an ironic and ironic study of gender stereotypes by many, but misinterpreted by others as nostalgic and anti-feminist.

Unlike some songwriters who end up feeling that their other work is overshadowed by their greater success, Cole loves the song and thinks audience perception has shifted.

“I think the song is better understood by the younger generation now,” she said. “I love the song. It’s mine. I wrote it.”

However, Cole’s career is more than just one song.

“The hits were gratifying, but also a little alarming,” she said. “Labels haven’t worked for me, not a label, nickname or genre. I am constantly advancing musically. You have to grow and listen to your inner call.

In 2013, Cole joined the singing faculty at Berklee College of Music and worked there for seven years. She remains involved at Berklee as a guest researcher in performance studies.

Earlier this year, Cole released his 10th studio album, “American Quilt,” performing a selection of classic songs.

Cole feels, like Peyroux, that they are quite different in their performance but that they still have similar musical tastes.

“I also have a deep jazz influence,” said Cole. “Madeleine and I have a lot in common.

You can reach Editor-in-Chief Dan Taylor at dan.taylor@pressdemocrat.com or 707-521-5243. On Twitter @danarts.

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‘Jurassic Quest’ returns for ‘dinomite’ weekend https://tadasei.com/jurassic-quest-returns-for-dinomite-weekend/ https://tadasei.com/jurassic-quest-returns-for-dinomite-weekend/#respond Thu, 07 Oct 2021 06:34:55 +0000 https://tadasei.com/jurassic-quest-returns-for-dinomite-weekend/

Entertainment options in Arkansas this weekend:

AMUSING

“Jurassic Quest”

More than 100 “photorealistic” dinosaurs consist of “Jurassic Quest”, 9 a.m. to 8 p.m. Friday to Saturday, 9 a.m. to 7 p.m. Sunday at the Statehouse Convention Center on Markham Street and Main Street in Little Rock.

The show includes dinosaur-themed rides, live dinosaur shows, interactive science and art activities, a soft ‘Triceratots’ play area, face painting, inflatable houses and inflatable attractions (socks required), photo ops and an “Ancient Oceans” exhibit that features a moving, life-size, 50-foot-long megalodon.

Tickets, for a scheduled arrival window, are $ 19 to $ 22 (lowest prices are off-peak), $ 18 to $ 20 for seniors, free for children under 2 years old ; $ 33 to $ 36 for children with unlimited rides (including back to school). Tickets for on-site activities cost $ 5; premium activities (face painting and photo on green background) cost $ 15. Visit jurassicquest.com/events/little-rock-ar.

Military vehicles

MacArthur Museum of Arkansas Military History Hosts Annual Convention Military exhibition of vintage vehicles, 9 a.m. to 2 p.m. Saturday at the parade ground behind the museum, 503 E. Ninth St., Little Rock. The show will feature jeeps and other vehicles from the Arkansas Military Vehicle Preservation Association and the West Tennessee Military Vehicle Collectors Club. WW2 Re-enactors of Arkansas will provide living history characters from WWII. Entrance, ice cream and water, provided by Bluebell Ice Cream and Premium Refreshment Services respectively, are free. A food truck will also be on site. Call (501) 376-4602.

MUSIC

Quartet in Residence

The Ivalas Quartet – (left to right) Aimee McAnulty, viola; Tiani Butts and Reuben Kebede, violins; and Pedro Sanchez, cello – are in residence today and Friday at the University of Central Arkansas at Conway. (Special to the Democrat-Gazette)

The Ivalas Quartet – Reuben Kebede and Tiani Butts, violin; Aimée McAnulty, viola; and Pedro Sanchez, cello – will be in residence today Thursday and Friday at the University of Central Arkansas, 201 Donaghey Ave., Conway. The residency includes a concert at 7:30 p.m. on Fridays at UCA’s Reynolds Performance Hall. On the program: the “String Quartet n ° 67” in F major, op. 77, no. 2, by Franz Josef Haydn; the second movement, “Lyric”, from George Walker’s “String Quartet No. 1”; “The heat of other suns” by Carlos Simon; and the “String Quartet No. 12” in E flat major, Op. 127, by Ludwig van Beethoven. Free entry.

On Thursdays, the quartet offers a string quartet masterclass, from 3 p.m. to 5 p.m. a masterclass of solo instruments, 7 pm-8.30pm; and a discussion, from 8:45 p.m. to 9:30 p.m., all in the Snow Fine Arts recital hall.

Visit uca.edu/cahss/artists-in-residence.

wild sax

Jazz saxophonist and native of Little Rock Merlon Devine solos with a group of five musicians for “Music in the Wild”, Friday at 7 pm at the Butler Gazebo, Wildwood Park for the Arts, 20919 Denny Road, Little Rock. Carry blankets, chairs and a mask when social distancing is not possible and for use in indoor facilities; concessions will be available for donations. If it rains, the concert moves to either the Wildwood Pavilion or the Cabe Festival Theater. Tickets cost $ 25. Visit web.ovationtix.com/trs/pe.c/10836635.

Coterie recital

Six pianists will perform for the Little Rock musical coterie first face-to-face meeting in many months, Sunday at 2 p.m. at Trinity United Methodist Church, 1101 N. Mississippi St., Little Rock. Kay Lindley and Nancy Griffin will perform “Fascinating Rhythm” by George Gershwin. Jeanette Hamilton and Jean Silva will perform two works by Scott Joplin – “Non Pareil” and “Gladiolus Rag”. And Kristin Duckworth and Janine Reeves Tiner will play four movements from the “Dolly Suite”, Op. 56, by Gabriel Faure. Free entry. Call (501) 940-1562 or email nxhakutani@ualr.edu.

MOVIE

‘Rocky Horror’

The Jonesboro Arts Foundation will plan “The Rocky Horror Picture Show”, 7:30 p.m. Saturday at the Forum Theater, 115 E. Monroe Ave., Jonesboro. This is part of the “Strand at the Forum Film Series”, and the location was originally the Strand Movie Theater. Doors open at 6.30 p.m., with a costume contest at 7 p.m. The film is rated R (17 years and over). Admission is $ 20 (including an interactive prop bag – no exterior props allowed), plus $ 5 if you plan to enter the costume contest. Call (870) 935-2726 or visit foajonesboro.org.

COMEDY

Cowboy bill

Cowboy comedian William Lee Martin, on his “All American Mutt” tour, hits the headlines at 8 p.m. today, 7:30 p.m. and 10 p.m. Friday through Saturday at the Loony Bin Comedy Club at Breckenridge Village, 10301 N. Rodney Parham Road at Interstate 430, Little Roche. Admission to special engagement shows is 18 years and over. Tickets are $ 15 today, $ 20 Friday through Saturday, call (501) 228-5555 or visit tinyurl.com/zea8e3cr.

ART

Engraving and glass

Saturday, “Second Saturday Family FunDay,” 1 pm-3pm at the Arts & Science Center for Southeast Arkansas, 701 S. Main St., Pine Bluff, focuses on printmaking. Free entry. The sponsor is the Pine Bluff Area Community Foundation. And the Olivia Valentine canopy will lead a Minecraft-inspired lampwork workshop for kids from 12 to 5, 1 to 4 p.m. at The ARTSpace on Main, 623 S. Main St., Pine Bluff. Students will learn how to safely craft with a glass fusion torch to craft in-game items such as Ender’s Beads and Mushrooms. The cost is $ 90, $ 80 for center members. Visit the registration portal at asc701.org/youth-classes. Call (870) 536-3375 or visit asc701.org.

ETC.

Greek for me?

Madeline Miller, author of two bestselling novels set in ancient Greece, “The Song of Achilles” and “Circe”, will discuss “Homer’s Women: Secret Stories of Women in” The Iliad “and” The Odyssey ” via Zoom for University of Arkansas at Little Rock Cooper Lecture Series, 6 p.m. today. “Admission is free; register at tinyurl.com/5c9t5yck.

Dunbar remembers

“Excellence in black schools: the legacy of Dunbar”, artefacts from the collection of the Mosaic Templars Cultural Center and the Dunbar and Horace Alumni National Associations, opens with a 5:30 to 7:30 p.m. reception (with live music and light refreshments) today at the center, 501 W Ninth St., Little Roche. Portions of the reception will be webcast live on the centre’s Facebook page, including the opening speech at 5:30 p.m.

The center classifies the education exhibit at Dunbar High School in Little Rock in the first half of the 20th century as “a reinvention of [its] first permanent exhibit, “Your Guiding Hand: Little Rock’s Paul Laurence Dunbar High School, 1929-1955”, which had been on display from 2008 to 2010. Artifacts include yearbooks, a class ring, historical photos, a trumpet orchestra and a National Honor Certificates of the company.

Black students attended Dunbar while white students attended Central High in the segregated neighborhood of Little Rock.

The exhibition will be in place until December 17. The museum’s opening hours are 9 a.m. to 5 p.m. Tuesday to Saturday. Entrance to the exhibition and reception are free. Call (501) 683-3593 or visit mtcc.org.

pride proclamations

Central Arkansas Pride encourages area residents to submit virtual clip for October 16 Virtual Pride Party 2021, the ninth edition. Community members, allies and organizations can submit “an entertaining and / or informative video clip of 30 seconds to one (1) minute or less”, according to a press release, which will be part of the new virtual format on Facebook Live. The preferred video formats are .mp4 and .mov. For more information, send an email to info@arpride.org.

Wild border

“Territorial Arkansas: The Wild Frontier of the West”, a 15-panel traveling exhibit that explores the history of the Arkansas Territory through the collections of the Arkansas State Archives and Branch Archives (The Northeast Arkansas Regional Archives at Powhatan and the Southwest Arkansas Regional Archives in Washington), is on display until October 31 at the Arkansas State University-Beebe’s Abington Library, 1000 W. Iowa St., Beebe. Hours are 7:30 a.m. to 9 p.m. Monday to Thursday, 7:30 a.m. to 4:30 p.m. Friday, 10 a.m. to 3 p.m. Saturday and 1 p.m. to 5 p.m. Sunday. Free entry; face masks are compulsory. Call (501) 882-8976 or email circ@asub.edu.

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