welcome to Shopping with Vogue, a series in which we sift through the favorite store of a fashion lover. For this edition we are shopping with musician and author Michelle Zauner from Japanese Breakfast to Sandy Liang.
I listen to Japanese Breakfast as I ride an electric Citibike from Brooklyn to meet none other than Michelle Zauner from Japanese Breakfast in downtown Manhattan. “Savage Good Boy”, from his third album, Jubilee, is one of my favorites. Like every Zauner song, it triggers a kind of desire that I haven’t realized since my first crush in high school. In the accompanying clip, she plays cards, watches TV, dines with The Sopranos the silver fox Michael Imperioli, and strumming a mandolin, all dressed in delightfully baroque and rich ensembles from Gucci, Vaquera, Area, Puppets & Puppets and Patou. She is absolutely royal.
To top it off, Zauner is a writer. She wrote the essay “Crying in H Mart” for the New Yorker, about her mother’s death and her Korean heritage. After the play went viral, she released a memoir under the same title in April. All this besides shredding a guitar, freeing Jubilee beginning of June and goes on tour at the end of July. Zauner is truly the tattooed and laid back renaissance woman of our generation, with an ornate, dreamy stage style to go with it.
For shopping, Zauner chose Sandy Liang at 28 Orchard Street, next to Scarr’s Pizza and Larrie Gallery. It’s a hot spot for dirty skateboarders and literate people who wear moccasins. Zauner moved to New York relatively recently and is still getting to know the city. When I meet her, she greets me in a frothy Simone Rocha dress, a Sandy Liang earring, a rice paddle necklace from Sisterfriend and a pair of Vans. It looks like a slice of lemon cake, standing out among the crowd.
But being such a daring woman hasn’t always been her style. Zauner has come a long way in the world to establish itself in fashion. A native of Eugene, Oregon, she began performing in bands in the Philadelphia, PA music scene while at Bryn Mawr in 2005, until she began to be successful with her own group in 2016. In the past, she dressed more in masculine clothes, like the boy’s superhero t-shirts from Target and the vintage Grandpa buttons from Goodwill. “For a long time, playing in a band, I wanted to present a more masculine genre because I felt I had to do it to be taken seriously as a player and in the industry in general,” she says. “Before, I had to prove to everyone that I could carry an 80-pound amp. “
As she blossomed musically, her look evolved. A signature Zauner look is frilly and punk, with a layered dress paired with combat boots or Vans. “I don’t think anyone doubts that I can play guitar or lead a band. Now I’m able to wear a dress and a tread, and that juxtaposition is really exciting for me now. I don’t feel like I have to prove myself in the same way, which is really liberating.
for her Jimmy Kimmel Live! at the beginning of July, she wore an ivory baroque dress Simone Rocha with a ruffled collar to interpret “Paprika”. The royal rock look was designed by Cece Liu, whom Zauner met on the Philly music scene and has worked with for about three years. At the time, Liu hadn’t styled talent – she mostly worked in copywriting and advertising – and Zauner hadn’t worked with a stylist. “We both learned as we went,” Liu writes. “She’s really learned to appreciate fashion since then and get into her own style.” Brands have also taken note. “At first, no one lent us loans,” Zauner explains. The fact that she can now count Rodarte and Rocha among her big supporters is testament to her growing popularity. “She seems to want to get more creative as we work together. when we first tried it on, she was a bit like “These looks are so crazy!” I’m not sure, ”Liu wrote. “And now she’s like ‘Should we go for something crazier?'”
At Sandy Liang, Zauner takes a gentler path by trying on Liang’s Mott dress. She cites Kate Bush, Björk and Karen O of Yeah Yeah Yeahs as her stylistic inspirations. But his late mother was one of his biggest influences and is the subject of much of Zauner’s material. “She was a very strong proponent of ‘dressing to feel good, and not for other people’, which I think is probably basic, but from a young age it’s something that she liked. ‘instilled,’ says Zauner. She still has her mother’s Chanel bag. “I had a very fashionable mom and I was a tomboy. In my book, I talk about how my mom and many Koreans love designer handbags and find great deals, ”she says. “It was always her dream to have a real Chanel bag and in her fifties she finally got one. I inherited it when she died, but I never took it out of the box because I am a tomboy so reckless I’m afraid to screw it up.
At the end of our stay at Sandy Liang’s, Zauner tried half of the store. We’re still debating what to get, when stylist Miyako Bellizzi, who’s responsible for shady and sassy looks Uncut gems, came in with the Holly Falcone manicure. I introduce Bellizzi to Zauner as the latter tries on tailored high waisted pants and a white tank top with a cutout on the stomach. Funny enough, Bellizzi wears a similar look. “You look like a model celebrity,” Zauner tells Bellizzi. When Zauner comes out of the locker room, Bellizzi tightens the waist of Zauner’s pants. (I tell Zauner she’s getting a killer New York-style treatment). Zauner looks great, the perfect amount of polish mixed with all that downtown freshness. “You just need to take it an inch here,” advises Bellizzi. “You can take it to the laundromat for $ 20. Zauner gets the two pieces, plus a long-sleeved plaid top with a Peter Pan collar called the “Stinging Top.”
We leave and go to Scarr’s Pizza and talk about everything from hometown friends to women in rock and roll. We are discussing Japanese Breakfast on Tour, which started after our conversation on July 21 in Maryland and will be passing through the United States. Satisfied with her purchases, Zauner leaves in an Uber back to Brooklyn, while I return to Sandy Liang to wait for my ride. When I come back, I realize all the time that Zauner had a calm, incredibly dressed fan, a saleswoman named Ashley (Zauner and I had complimented her Mott pinafore dress when we arrived). She is a musician who, in her spare time, does alternative indie music for her group Chaarm. For her, meeting Zauner was a monumental moment. “I listen to it every day! It’s important to see her on stage because there aren’t a lot of Asian women in rock, so as an Asian woman in music, I felt like I could do it myself ”, she said, adding. “I only work Sundays and Tuesdays so that was meant to be.”
Originally appeared on Vogue